Nov 30, 2013 - But Sosa's record deal came with a one stipulation- sell 250,000 copies of his debut studio album “Finally Rich” by the year's end. Discover releases, reviews, credits, songs, and more about Chief Keef - Finally Rich at Discogs. Complete your Chief Keef collection. Finally Rich album cover.
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Review Summary: This album: that's that shit I don't like The title of Chief Keef’s freshman album implies something pre-determined. It speaks volumes about the 17-year-old’s attitude; it’s not that he, a lower-class teenager from the South Side of Chicago is rich, it’s that he’s finally rich- that this was always going to happen and it taking 17 years required too much patience. It’s an unorthodox attitude to have: his frequent run-ins with the law, including time spent under house arrest for weapons possession while under contract with Interscope, give the impression that he’s a loose cannon whose time spent in the trap has twisted him- an impression that certainly isn’t helped by songs like “Hate Being Sober.” From the outside, he appears to be the exact type of kid you wouldn’t want to be associated with but the implication of the title is that this was always going to happen. 'Finally Rich' shows off a kid who seems to have had everything come to him easily. The album’s opening line, “These bitches love Sosa,” is only the tip of the iceberg. Perhaps as a result of trying to conform to gangsta rap tropes, or maybe because all teenagers are fascinated by money and women, 'Finally Rich' does little more than flaunt Chief Keef’s wealth, upbringing and stable of women.
However, beyond that, there’s little substance. The entire album seems to be an act of posturing: Chief goes to great lengths trying to prove that he has had no adversity to overcome and that he’s flawless. It’s not exactly desirable to hear a cocky kid describe his assets for 45 minutes especially when there’s no impact of having these things. Chief Keef has a lot of money but apparently very few assets and one can only hear about stacks of money so many times before it starts getting stale. However, lyrical substance rarely needs to be included in the discussion of an album like this.
When considering an artist like Waka Flocka Flame, one is distracted by his energy and the beats to the point where the lyrics are inconsequential. 'Finally Rich' should be an experience that indulges the listener with the many pleasures of Chief Keef’s life while providing them with cheap entertainment. The result is the opposite of the intent: the prevalent repetition grinds to the point where even some of the best songs- “Love Sosa,” “Kay Kay”- are rendered nearly unlistenable and the worst of the lot aren’t even worth listening to all the way through.
The distractions that keep Flocka relevant are nowhere to be found on 'Finally Rich.' The beats are dominated by aggressive snare rolls and claps that all blend together with the exception of the scattered “bang bangs” or other catchphrases that are egregiously dropped in the background. The imitation Lex Lugers who produced clearly misplaced their cymbal kits and 808’s because both elements- trademarks of the trap beat- are noticeably absent. Chief Keef himself sounds as if he has gravel stuffed in his cheeks and he just swallowed a bottle of Nyquil. His marblemouthed flow is partly to blame for the quality of the beats- it seems that Chief can’t rap fast enough to handle an up-tempo beat. 'Finally Rich' is routine in every way. The homogeneous soundscapes run together to create the impression that the album is one long song and Chief Keef’s one-note rapping and lack of inflection certainly doesn’t help to break the monotony.
Even the guest appearances are drab- Young Jeezy sounds bored to be on such a lazy beat, French Montana is barely noticeable and Rick Ross fails to excite on “3hunna.” The hooks are often longer than Chief’s useless verses and rarely even verge on catchy. Overall, 'Finally Rich' sounds like a ‘Bricksquad from the suburbs’ style parody that a couple friends could throw together over the weekend. It’s an album that was obviously made by a spoiled teenager, which ultimately proves to be the only pre-determined quality of the album. Chief Keef may believe he deserves to be rich, but the album shows he also doesn’t feel he needs to work to earn his keep.
• • • • • • Website Keith Farrelle Cozart (born August 15, 1995), better known by his Chief Keef, is an American rapper. Keef's music first became popular among students from Chicago's during his teen years in the early 2010s. In 2012, Keef's popular street single ' was remixed by rapper, reaching the Billboard Top 10 and further lifting Keef's profile. A bidding war between major labels resulted in Keef signing to. His debut album was released in December 2012, and featured the singles 'I Don't Like' and ', which would popularize the Chicago rap subgenre. Cozart has faced ongoing legal issues during his career, including charges, house arrest sentences, and a performance ban imposed by the Chicago authorities. Despite being dropped from Interscope in late 2014 and later signing to, Keef continued self-releasing projects through his own label, including (2014), (2014), (2015), and (2017).
In recent years, critics have pointed to Cozart as a major influence on contemporary through his impact on other artists such as,,,,,,,. Contents • • • • • • • • • • • • • • • • • • Life and career Early life (1995–2010) Chief Keef was born Keith Farrelle Cozart in Chicago, Illinois when his mother, Lolita Carter, was 16 and unwed. He is named after his deceased uncle, Keith Carter, who was known as 'Big Keef.' He lived at the, locally known as O-Block, located in the neighborhood on the city's, a stronghold for the street gang of which Cozart is a member.
Cozart has been estranged from his biological father, Alfonso Cozart; since he was a minor. Cozart's legal guardian was his grandmother, whom he lived with during his residence in Chicago. He began rapping at a very young age, regularly listed as a 5-year-old, using his mother's machine and blank tapes to record his music. During his childhood, Keef attended Dulles Elementary School and the Banner School, a therapeutic day school. Keef dropped out of at age 15. Early years, Finally Rich, and subsequent mixtapes (2011–13). A 30-second sample of the chorus to ', which has contributed to Keef's image as 's forerunner.
Chief Keef All Songs
Problems playing this file? Keef is often seen as a representation of the ' gangsta rap culture that is present in Chicago. Additionally, Chief Keef is often referred to as 'Sosa' by himself, his peers, and the media. The nickname, 'Sosa' is a reference to the drug dealer 'Sosa' from Scarface the movie.
LA Weekly reported that Keef's Glo Gang entourage respects the rapper. One member of the Glo Gang, Ballout, stated, 'We learned all that from Sosa, we be in the studio with him so much,' calling him, 'a rhyming machine. A music genius. Black, if you ask me.' Stated that Chief Keef 'symbolizes,' Chicago's music scene, and is the 'best known of the young generation of Chicago rappers.' In November 2012, Lucy Stehlik of, described Keef as drill's, 'alpha male.'
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David Drake of writes, 'Chief Keef is in rarefied air for street rap—a creative voice with an original, cohesive aesthetic,' adding, 'to the grassroots, among a new generation of stars, he sits at street rap’s aesthetic center, not its margins.' Chief Keef has drawn comparisons to 50 Cent.
Keef has drawn comparisons to, as The New York Times writes, that like 50 Cent, Keef makes thuggery, 'a major part of his early-career persona.' Lupe Fiasco, who has been involved with a controversy with Keef, has been referred to as an 'antagonist' to Keef's more gangsta-rap persona. The New York Times writes, 'Lupe Fiasco is a stern and didactic teacher, but it’s arguable that Chief Keef’s music is far better at ringing warning bells.' Another rapper,, has praised Chief Keef's contributions to rap, stating, 'I think Chief Keef brought something that nobody else was doing and he brought it raw.
He brought it real. With that, I have to respect that as an artist that he has come and brought that.' Other rappers, such as and, however, have been critical of Keef.
In June 2012, Rhymefest authored a blog post critical of Keef's image and message, describing him as a 'bomb' and a 'spokesman for the '. The post was also critical of rappers and, citing similar issues.
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Chief Keef Finally Rich Album Cover
Rhymefest reiterated these views in a subsequent interview with. Lupe Fiasco's criticisms of Keef touched off a feud between the two.
Controversies Hip hop feuds In an August 2012 interview with radio station, stated that Chief Keef 'scares' him and went on to describe the other rapper as a 'hoodlum' and representative of Chicago's 'skyrocketing' murder rate. A from Keef's account threatening Lupe Fiasco was posted on September 5, but then Keef claimed that his account had been and that the previous tweet was inauthentic.
On September 13, 2012, Fiasco released a video interview in which he made amends to Keef. In November 2014, rap group and Glo Gang member, Capo, were involved in a physical altercation in a Chicago restaurant. Later, Keef uploaded an image onto featuring the alleged stolen chain belonging to rapper Quavo of.
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